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Storage, or via streaming from media servers. We’re also starting to see apps like Pixvana SPIN Player, which specialize in distributing video to managed devices. These players and services have varying levels of support for spatial audio, so you’ll have to play around to find the best fit.YouTube supports 3D-180 in their proprietary VR180 format, and only through device-specific upload apps.Here are some ways you can play back the Kramer Knives video, which is 26-minutes long:Stream from Facebook in the Facebook 360 VR experience, or in News Feed for flat playback.Download the original video file and sideload onto your headset: 4K version or Experimental 5.2K version180 vs 360 comparisonHere’s a clip you can download of the 360 version of the Kramer Knives video (half the world is black). Because video resolution is the same in each file, each eye in 360 is half the resolution as it is in 180.The combination of an updated Premiere Pro, the “Smart Align” pre-release from Z CAM, and figuring out a full-range RGB export workflow led to a series of continuous re-renders over a few days that ultimately led to a much better-looking export. These tools change quickly, and going back to see the effect they have on old or existing projects can make a huge difference.I hope that you enjoy the documentary, and that this case study was useful for those of you who plan to pursue 3D-180 video projects.Full Equipment List:CameraZ CAM K1 Pro camera ($3000) CAM K1 Pro Battery Bracket ($160) x Kastar Sony BP-U30 batteries + dual smart charter ($116) and accessoriesTripod and RRS video headRail to push the camera out from the tripod (reduces tripod visibility in output) 11″ magic arms ($60) spacer ($30) female to 1/4″-20 male adapters H2n spatial audio recorder ($160) H4n recorder ($180) H1 recorder

Includes the following plug-ins [PC and MAC versions]: Aphex Vintage Aural Exciter API 2500 API 550 API 560 AudioTrack Bass Rider Brauer Motion BSS DPR-402 Butch Vig Vocals C1 Compressor C360 Surround Compressor C4 Multiband Compressor C6 Multiband Compressor Center CLA Bass CLA Drums CLA Effects CLA Guitars CLA MixDown CLA MixHub CLA Unplugged CLA Vocals CLA-2A Compressor / Limiter CLA-3A Compressor / Limiter CLA-76 Compressor / Limiter Cobalt Saphira Codex Wavetable Synth dbx® 160 Compressor / Limiter DeBreath DeEsser Doppler Dorrough Stereo Dorrough Surround Doubler Eddie Kramer Bass Channel Eddie Kramer Drum Channel Eddie Kramer Effects Channel Eddie Kramer Guitar Channel Eddie Kramer Vocal Channel Electric Grand 80 Piano Element 2.0 Virtual Analog Synth eMo D5 Dynamics eMo F2 Filter eMo Generator eMo Q4 Equalizer Enigma F6 Floating-Band Dynamic EQ GEQ Graphic Equalizer Greg Wells MixCentric Greg Wells PianoCentric Greg Wells ToneCentric Greg Wells VoiceCentric GTR3 Amps GTR3 Stomps GTR3 ToolRack GTR3 Tuner H-Comp Hybrid Compressor H-Delay Hybrid Delay H-EQ Hybrid Equalizer H-Reverb Hybrid Reverb IDR360 Bit Re-Quantizer InPhase InPhase LT IR1 Convolution Reverb IR360 Convolution Reverb IR-L Convolution Reverb IR-Live Convolution Reverb JJP Bass JJP Cymbals & Percussion JJP Drums JJP Guitars JJP Strings & Keys JJP Vocals Kramer HLS Channel Kramer Master Tape Kramer PIE Compressor L1 Ultramaximizer L2 Ultramaximizer L3 Multimaximizer L3 Ultramaximizer L3-16 Multimaximizer L360 Surround Limiter L3-LL Multimaximizer L3-LL Ultramaximizer LFE360 Low-Pass Filter Linear Phase EQ Linear Phase Multiband Compressor LoAir M360 Surround Manager & Mixdown Manny Marroquin Delay Manny Marroquin Distortion Manny Marroquin EQ Manny Marroquin Reverb Manny Marroquin Tone Shaper Manny Marroquin Triple D Maserati ACG Maserati B72 Maserati DRM Maserati GRP Maserati GTi Maserati HMX Maserati VX1 MaxxBass MaxxVolume MetaFilter MetaFlanger MondoMod Morphoder MV2 MV360 NLS Non-Linear Summer NS1 Noise Suppressor OneKnob Brighter OneKnob Driver OneKnob Filter OneKnob Louder OneKnob Phatter OneKnob Pressure OneKnob Pumper OneKnob Wetter PAZ Analyzer Primary Source Expander PRS SuperModels PS22 Stereo Maker PuigChild Compressor PuigTec EQs Q10 Equalizer Q-Clone R360 Surround Reverb Renaissance Axx Renaissance Bass Renaissance Channel Renaissance Compressor Renaissance DeEsser Renaissance Equalizer Renaissance Reverb Renaissance Vox S1 Stereo Imager S360 Surround Imager & Panner Scheps 73 Scheps Omni Channel Scheps Parallel Particles Sibilance Smack Attack SoundShifter Sub Align SuperTap Torque Trans-X TrueVerb UltraPitch UM225 / UM226 V-Comp V-EQ3 V-EQ4 Vitamin Sonic Enhancer Vocal Rider VU Meter W43 Noise Reduction Plugin Waves Tune Waves Tune LT Waves Tune Real-Time WLM Plus Loudness Meter WNS Noise Suppressor X-Click X-Crackle X-FDBK X-Hum X-Noise Z-NoiseWith over 165 stellar plugins and more than 400 components, Mercury features more Waves in one package than ever before!From equalizers, reverbs, compressors and limiters to noise reduction, surround processors, modeled analog console modules, Signature Series collections and beyond, there has never been such a comprehensive collection as this. The Mercury bundle offers more effects, more channel components and more mixing tools than ever before in one place.You may also find more information about this product on manufacturer's website.You may buy Waves Complete 10 v2019 or download it from our website.This product was released

Of corpses, but this is also one of the few entries where the Jigsaw's game and his web of apprentices are equally engaging. After Darren Lynn Bousman ran out of things to say in Saw IV, production designer turned director David Hackl stepped in for his one and only entry, and the revamped approach offered a much-needed jolt of energy to the stagnant format. Revisiting the group format introduced in Saw II, a group of Jigsaw's victims entered the game together, and rather than deciding the fate of others (as was the case in Saw III and IV), their fates were in their own hands, determined only by how much they could fight their destructive instincts and work together to survive. Outside the game, Detective Hoffman and Detective Strahm are locked in a deadly game of cat and mouse. Strahm earns himself a badass hall of fame when he survives an impossible game and comes hot on Hoffman's heels -- the rare officer in the Saw series who's actually worth his salt. The final standoff between the two provides one of the most cynical surprise endings in a franchise built on surprise endings. - Haleigh Foutch 4. Saw X Image via Lionsgate Director: Kevin Greutert Writers: Pete Goldfinger, Josh Stolberg Cast: Tobin Bell, Shawnee Smith, Synnøve Macody Lund Now we arrive at the most recent entry in the horror franchise. Though it is called Saw X, it is actually more of Saw 1.5 as it takes place between the first and second films. Starring Tobin Bell as John Kramer AKA Jigsaw, it is an experience that is almost entirely centered around his character as he tries to find a way to survive what we know is a terminal cancer diagnosis. More than other entries in the past, he is made into a protagonist of sorts and we spend quite a bit of time getting to see what he does outside of all that torturing. He goes to support groups, works on his will, and dreams of his next spectacle of death just as he himself is on the cusp of it. When he is given what seems like a second chance at life via an experimental treatment, he travels to a secluded location outside Mexico City where he goes through what seems to be surgery that he is told has cured him. Of course, all of this turns out to be a scam and Kramer subsequently decides to take down the people that tricked him the only way he knows how. The film is absolutely one of the funniest in the franchise as we see Kramer basically as a boomer who gets duped by an obvious con because they made a simple website. As the story draws this out to an absurd degree, this never stops being hilarious to see him just overlooking what are so many clear tells that he’s being tricked. When he finally pieces it together, the traps come into play and we see more of Kramer

A case study of a stereoscopic 3D-180 mini-documentary about Bob Kramer, one of the most well-known kitchen knife makers in the world. This project was conceived to develop a workflow for a single person to generate high-quality stereoscopic video content for VR headsets.Categories:Case StudiesTags:180 VideoAudio EditingCameraImmersive VideoOculus TVStereoscopicSkill Level:IntermediateIntroductionIn March 2018, Eric Cheng shot and edited a stereoscopic 3D-180 mini-documentary about Bob Kramer, one of the best-known kitchen knife makers in the world. The following was written shortly after the completion of the project in 2018; although it is a bit dated, the concepts are still salient.This is a case study about the Bob Kramer 3D-180 project, which was conceived to develop a workflow to enable a single person to generate high-quality stereoscopic video content for VR headsets. Also, Bob’s work is gorgeous, and it was a good opportunity to create an experience to describe what he does!How to watch the documentary in a VR headset:Click through to Kramer Knives: A Real Cutting Edge, in 3D-180 and click ‘Watch in device’ then open Meta Quest TV in your headset.Alternatively download and sideload the video (5.2K) directly onto your headset.The challenges of 360 videoStereoscopic (3D) video experiences for VR headsets are notoriously difficult to create. The resulting experiences are often beset by technical issues, many of which are insurmountable without large VFX budgets and custom VR app development.Two particularly-difficult challenges are stitching for stereoscopic output, and limited video decoder resolution. Stitching for stereoscopic output is much more complicated than stitching for monoscopic output, and it is difficult to recover from a failed stitch. Most mobile devices are able to decode a 4K video—plenty of pixels for a flat video. However, in 3D-360, pixels are not only spread across the entire possible field of view (360 degrees x 180 degrees), they are

“Those who don't appreciate life do not deserve life.”— John explains his philosophy to Eric Matthews.[src]John Kramer, better known as The Jigsaw Killer or simply Jigsaw, is a fictional character from the Saw franchise. He serves as the main antagonist of Saw, Saw II, Saw III, and Saw IV, the posthumous overarching antagonist of Saw V, Saw VI, and Saw 3D, the secondary antagonist of Jigsaw, a posthumous antagonist of Spiral, and the main protagonist of Saw X. Overall, John is the main antagonist of the franchise.He is portrayed by Tobin Bell. What is the real name of the Jigsaw Killer in the Saw franchise? The Jigsaw Killer's real identity is John Kramer, a former civil engineer. Provided by: Community How many Saw movies feature John Kramer as the main antagonist? John Kramer, aka Jigsaw, is the central antagonist of the Saw franchise. He is the main antagonist of Saw, Saw II, Saw III, and Saw IV. In Saw V, Saw VI, and Saw 3D, which take place after his death, he shares the role of the main antagonist with his successor, Mark Hoffman. In Jigsaw, he serves as the secondary antagonist. He is frequently mentioned in Spiral, serving as a post-mortal background antagonist without directly impacting the plot. Provided by: Community Who portrayed the character of John Kramer in the Saw franchise? John Kramer, aka Jigsaw, was portrayed by American actor Tobin Bell in the Saw films. Additionally, he lent his voice and likeness to Jigsaw in Saw: The Video Game and Saw II: Flesh & Blood. In the animated comic Saw: Rebirth, Jigsaw was voiced by American actor George Williams. Provided by: Community What is the role of John Kramer in the movie 'Saw X'? John Kramer, aka Jigsaw, is the main protagonist of Saw X. Reprising his role as the infamous Jigsaw Killer from the previous Saw films, Saw X marks the first time he is portrayed as the protagonist rather than a villain. After being deceived by a group of scammers who promised him a cure for his cancer, John targets them as the players in one of his deadly games, which they can only survive by making some gruesome sacrifices. Provided by: Community Biography[]Early Life[]John Kramer was a successful civil engineer and architect. Along with his friend and lawyer, Art Blank, he founded the Urban Renewal Group, a foundation dedicated to property development for low-income people under the motto "Four walls build a home." The company bought up abandoned real estate and renovated them into low-cost housing. The first building purchased and fixed up by the group was the Gideon Meatpacking Plant at 11235 Blake Drive. John at the party. At one point in his