Octave 6 2 0 32 bit

Return, M Post PEQ, Post Comp, Post DelayTrim: -∞ to 10 dB per channelInsertInsert (Pre EQ/Comp): Fully patchableDelayUp to 682 msGraphic Equalizer28 bands 31 Hz to 16 kHz, ±12 dB gain, constant 1/3 octaveFXInternal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser8 x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQPAFLPFL or stereo in-place AFL, 0 to -24 dB trim, PAFLDelay up to 682 msTalkbackDedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPFSignal GeneratorAssignable to any mix, (sine/white/pink/bandpass noise)RTA Real Time Analyzer31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL sourceRecorderSQ-Drive: USB Type-AStereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchableStereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchableMultitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchableMultitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchableUSB AudioUSB Audio Streaming: USB Type-B, Core Audio compliant, ASIO/WDM for WindowsSend (Upstream): 32-channel, 96 kHz, 24-bitReturn (Downstream): 32-channel, 96 kHz, 24-bitPower100 to 240 VAC, 50 / 60 HzMaximum Power Consumption:Operating Temperature32 to 104°F / 0 to 40°CDimensions (W × H × D)25.1 x 20.3 x 7.8″ / 638.0 x 514.9 x 198.0 mmWeight13.3 kg

Dmg Equilibrium Settings For PlaybackDmg Equilibrium GearslutzDmg Equilibrium Settings For PlaybackMassively flexible EQ suitable for all critical professional applications.Audio Engine can be incredibly low CPU usage, or incredibly high for mastering applications.EQ features pristine digital curves, plus circuit models of vintage EQs, and engineering filters.Completely reconfigurable UI with set-up wizard to suit to your specific workflow.Extensive routing, grouping, channel and metering control.Extensive analyser functionality, including 1/3 octave, 1/12 octave, spectrograph.Even in lowest CPU mode, generates super-high-quality prototypes - clear undistorted top-end.In FIR mode, Linear, Analogue, Minimum, Zero-Latency Analogue or even Free phase control.32 bands of EQ, Q 0.1->50, +/-36dB range.Each band can be Peak, HPF, LPF, High Shelf, Low Shelf or Notch.In stereo, each bank can process Mid, Side or the full stereo image.Surround support for channels groupings in DTS.Fully parametric filters (high and low-pass), 6/12/18/24/30/36/42/48db/oct.Windows VST, VST3 and AAX as 32+64-bit, RTAS 32-bit.Mac VST, VST3, AU and AAX as 32+64-bit, RTAS 32-bit.Dmg Equilibrium GearslutzIN GENERAL adding a product will drive the equilibrium back toward the reactants. Adding a reactant will drive the equilibrium toward the products. This is true regardless of the state of the added. Elemental Equilibrium (often referred to as EE) is a keystone passive skill which changes the resistance of any monster you hit with elemental damage (fire damage, lightning damage and cold damage), increasing resistance to the element you hit with by 25% but reducing other elemental resistances by 50%.Multiple EE strikes will overwrite each other. The effect lasts 5 seconds or until being.Sound:Circuit models of vintage EQs from history, model numbers including: 4000, 3 (4 modes), 110, 550, 88, 32, 250.Filters include: Coincident, Butterworth, Chebyshev, Bessel, Critical, Legendre, Elliptic, Allpass types.First-order, second-order, vintage, and tilt shelves.Classic DMG Bells and notches, with a +/-36dB range, and a Q range from 0.1 to 50.Classic DMG Shelves which let you move the resonance above or below the curve.Classic DMG Filters at 6/12/18/24/30/36/42/48 db/octave, sweepable resonance.M/S processing mode, allows you to process Mid, Side or the Stereo image.L/R processing mode, for independent Left and Right EQ.Surround sound support up to 7.1 DTS, with channel grouping matrix, and per-pair M/S processing.Per-band phase control, plus quick access to Linear, Analogue and Minimum phase modes.Extensive Impulse Response design controls, including a selection of parametric windows, length and padding.Vision:Flexible, modular, configurable UI.Big, clear, antialiased graph.Hi-res Spectrum analyser with multiple modes.Range, to scale the EQ response, both +ve and -ve.Frequency shift, to allow

[0...99] SLOPE TIME [0...99] RELEASE TIME [0...99] OSC-CMN4 [PITCH EG CTRL] LEVEL KBD TRK [-99...+99] TIME KBD TRK [-99...+99] LEVEL VELOC CTL [-99...+99] LEVEL VELOC CTL [-99...+99] OSC-CMN5 [PITCH BEND] PB INTENSITY(+X) [-60...+12] PB STEP(+X) 0, /8, /4, /2, 1...12] PB INTENSITY(-X) [-60...+12] PB STEP(-X) 0, /8, /4, /2, 1...12] AFTERTOUCHBENDING [-12...+12] OSC-CMN6 [PORTAMENTO] FINGERED MODE [NORMAL, FINGERED] PORTAMENTO TIME [0...99] TIME VEL CTRL [-99...+99] OSC-CMN7 OSC MENU OSCILLATOR 1 [STD1],[COMB1],[VPM1],[BRASS],[REED],[PLUCK] OSCILLATOR 2 [STD2],[COMB2],[VPM2],[MOD2],[OSC2] SUB OSCILLATOR [SUBOSC] NOISE GENERATOR [NOISE] UTILITY [UTY] OSC1(2)-1 [BASIC PITCH] OCTAVE [32"...4"] SEMI TONE [-12...+12] FINE TUNE [-50...+50] FREQUENCY OFFSET [-10.0...+10.0Hz] OSC1(2)-2 [PITCH MODULATION] MOD.SRC [OFF...CCHG#95] MOD.INT [-99...+99} OSC1(2)-3 [PITCH SLOPE] LOW KEY [C-1...G9] HIGH KEY [C-1...G9] LOWER INTENSITY [-1.0...+2.0] HIGHER INTENSITY [-1.0...+2.0] OSC1(2)-4 [PITCH MOD LFO] - PITCH MODULATION LFO LFO SELECT [LFO1...4] INTENSITY [-99...+99] INT.AT CONTROL [-99...+99] INT.CC#1 CTRL [-99...+99] STANDARD OSCILLATOR OSC1-5 [STD WAVE LEVEL]-OSC SETTING WAVE SELECT [SAW, PULSE] WAVE EDGE [0...99] WAVE LEVEL [0...99] RAMP WAVE LEVEL [0...99] OSC1-6 [STD WAVE FORM]-WAVE FORM MODULATION FORM [-99...+99] FORM MOD.LFO [LFO1...LFO4] FORM MOD.LFO INT [-99...+99] FORM MOD.SOURCE [-99...+99] FORM MOD.INT [-99...+99] COMB FILTER OSCILLATOR OSC1-5 [COMB INPUT] NOISE LEVEL [0...99] INPUT WAVE FORM [SAW, SQU, TRI] INPUT WAVE LEVEL [0...99] INPUT GAIN [0...99] OSC1-6 [COMB FEEDBACK FEEDBACK [0...99] FEEDBACK MOD.EG [0...99] MOD.EG INT [-99...+99] FBK MOD.SOURCE [OFF...CCHG#95] FBK MOD.INT [-99...+99] OSC1-7 [COMB LOOP LPF FREQUENCY] COMB LOOP LPF FREQUENCY [0...99] VPM OSCILLATOR OSC1-5 [VPM CARRIER WAVE] VPM CARRIER WAVE [SIN, SAW, TRI, SQU] OSC1-6 VPM CARRIER CARRIER LEVEL [0...99] LEVEL MOD.EG [EG1...4,

Power Output - Both channels driven(0.05% THD, RMS, 20 Hz - 20 kHz)160 watts x 2 @ 8 Ω240 watts x 2 @ 4 Ω Power Output - Both channels driven(0.9% THD, RMS, 20 Hz - 20 kHz)180 watts x 2 @ 8 Ω270 watts x 2 @ 4 Ω Current Capacity45 amps peak per channel Frequency Response10 Hz - 100 kHz, +0/-3 dB Total Harmonic Distortion (THD) Interchannel Crosstalk> 50 dB at 20 kHz> 70 dB at 1 kHz Signal to Noise Ratio - IHF A-weightedLine in: - 103 dB (input shorted)Digital in: - 106 dB Amplifier Damping Factor> 800 at 20 Hz Preamp Stage Input Sensitivity300 mV in for 1 V at Pre Out jacksTotal Preamp Stage Gain: 10 dBMax Output Unbalanced: 7 VMax Output Balanced: 9 V Power Amplifier Stage Sensitivity1 V at Bypass/Amp In for 28 V at Speaker OutTotal Amp Stage Gain: 28 dB Phono Stage Sensitivity / Input Impedance Input ImpedanceMM: 35 dB / 47 k ΩMC: 52 dB / 47 k Ω or 100 Ω Input Capacitance150 pF High & Low Pass Crossover Slopes12 dB per octave Supported DAC Sampling RatesUSB: up to 384 kHz / 32-bit PCMDSD Native: DSD 64, DSD 128, DSD 256DSD over PCM (DoP) at 384 kHzCoax/Opt: up to 192 kHz / 24-bit PCM Digital to Analog ConverterESS Sabre32 Reference ES9018K2M384 kHz / 32-bit USB 2.0 ControllerVIA VT1731, 384 kHz / 32-bit Headphone AmplifierTexas Instruments TPA6120AOutput Impedance 10 ohms XLR Pin Identification1 = Ground (Shield)2 = Positive3 = Negative (Return) Input ImpedanceUnbalanced: 24 k ΩBalanced: 100 k Ω per leg Output ImpedanceUnbalanced: 100 ΩBalanced: 470 Ω per leg DimensionsWidth: 17-1/4" (437 mm)Depth: 16-1/4" (413 mm)Depth, with cables 17-1/4" (437 mm)Height, with feet: 5-7/8" (150 mm)Height, without feet: 5-1/4" (133 mm), 3U Net Weight33 lb. (15 kg) Shipping Weight45 lb. (20.4 kg) Power RequirementStandby: 0.5 wattsIdling power: 70 wattsMaximum: 750 watts110-125 VAC 60 Hz or 220-250 VAC 50 HzAC mains voltage is set on rear Hifi Pig (UK) March 2018 "This is a great sounding amplifier! The Parasound does great music making everything sound effortless, dynamic and powerful. Highly Recommended"

DOWN OCTAVE UP OCTAVE DOWN PORTAMENTO SW DISTORTION SW WAH SW CHORUS SW DELAY SW REVERV SW ARPEGGIO OFF/ON WHEEL3 HOLD CMN-9 [COPY CONTROL] SOURCE PROGRAM [A00...63, B00...63, C00...63(CARD)] CMN-10 [INITIALIZE PROGRAM] CMN-10[INITIALIZE PROGRAM] ENTER GLOBAL SESSION GLB-1 [TUNE & TRANSPOSE] MASTER TUNE [HZ] [430.0...450.0] TRANSPOSE [-12...+12] XPOSE POSITION [PSTKBD, PRETG] GLB-2 [CURVE & EFFECTS] VELOCITY CURVE [1...8] AFTERTOUCHCURVE [1...8] DELAYREVERB [ON, BYPASS] GLB-3 [USER SCALE] USER SCALE 1 NOTE [1(C)...12(B)] SCALE 1 DETUNE [-100...+100] USER SCALE2 KEY [0(C-1)...127(G9)] SCALE 2 DETUNE [-100...+100] GLB-4 [SENS&POLAR]-SENSITIVITY & POLARITY AFTERTOUCH SENSE [0...99] RIBBON Z SENSE1 [0...99] OCTAVE SW MODE [LAT, ULAT] FOOTPEDAL POLARITY [+,-] FOOT SW POLARITY [+,-] GLB-5 [KNOB CONTROLLER ASSIGN] KNOB1 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00..95] KNOB2 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00...95] KNOB3 [OFF, PBENDER (+/-.+.-), ATOUCH, CCHG#00...95] KNOB4 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00...95] KNOB5 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00...95] GLB-6 [ARPEGGIO CONTROLLER] VELOCITY [OFF, PBENDER, ATOUCH, CCHG#00...95] GATE [OFF, PBENDER, ATOUCH, CCHG#00...95] GLB-7 [EC5 FUNCTION] SW-A [OFF...WH3HOLD] SW-B [OFF...WH3HOLD] SW-C [OFF...WH3HOLD] SW-D [OFF...WH3HOLD] SW-E [OFF...WH3HOLD] 0 OFF 1 SUSTAIN OFF/ON 2 PROGRAM UP 3 PROGRAM DOWN 4 PROGRAM UP 5 OCTAVE DOWN 6 PORTAMENTO OFF/ON 7 DISTORTION OFF/ON 8 WAH OFF/ON 9 DELAY OFF/ON 10 CHORUS OFF/ON 11 REVERB OFF/ON 12 ARPEGGIO OFF/ON 13 WHEEL 3 HOLD OFF/ON (WH3HOLD) GLB-9 [MIDI] GLOBAL CHANNEL [1...16] LOCAL [ON, OFF] OMNI [ON, OFF] CLOCK SOURCE [INTERNAL, EXTERNAL] GLB-9 [MIDI PITCH BEND] TRANSMIT [OFF, ON] RECEIVE [DISABLE, ENABLE, INTERPOLE] TRANSLATION [P.BEND, AFTER TOUCH, C.CHG#00...#95] RETURN [OFF, ON] GLB-10 [MIDI AFTER TOUCH] TRANSMIT [OFF,