Difference between opera and musical

Opera, Operetta, And Musicals And Why They Are Different. | The Odyssey Online Sign in to comment to your favorite stories, participate in your community and interact with your friends LOG IN WITH FACEBOOK Recommended for you Home›Entertainment›Opera, Operetta, And Musicals And Why They Are Different.›Entertainment Opera, Operetta, And Musicals And Why They Are Different. Jun 28, 2017 As a musician, I am usually over critical of music. That being said. I am also over critical with genre identification. Especially when it comes to musicals and operas. So what constitutes and opera and what constitutes a musical, or even an operetta? I want to say that I mainly sing classical music, but I still enjoy so many other types of music than just what we consider classical.Opera:synonyms:grand opera, light opera, musical, musical comedy, opéra bouffe, operettaa genre of classical music.a building for the performance of opera.a dramatic work in one or more acts, set to music for singers and instrumentalists. A Dramatic work? Couldn't that be identified as a musical too? Also, singers and instrumentalists also participate in musicals? So, what's the difference? According to an opera singer, it can be the complicity and lack of speaking, but not all operas have a recitative. Some do have speaking - more modern operas, and Operettas. There is also a certain staging and story line that you must have in an opera and another in a musical. The Phantom of the Opera is NOT an Opera. Musicals:synonyms:tuneful, melodic, melodious, harmonious, sweet-sounding, sweet, mellifluous, euphonious, euphonic"musical poetryya play or movie in which singing and dancing play an essential part. Musicals developed from light opera in the early 20th century.Developed from an opera... This is true. Now, musicals are not bad but the classification of them can be different. To most, though, a musical has beautiful music, but also the speaking parts are prominent. This seems to have more of a prominence - the differentiation of the speaking and singing. A cool thing about musicals is that they may be derived from operas, or the same story operas came from like Rent coming from La Boheme. Both are awesome, by the way. Operetta: a short opera, usually on a light or humorous theme and typically having spoken dialogue. Notable composers of operettas include Offenbach, Johann Strauss, Lehár, and Gilbert and Sullivan.This one is difficult to explain because operettas are performed in both the musical

He changed to fit his musical. There are the same amount of main characters and most of them are the same gender apart from Joanne who is based on Alcindoro but also slightly on Marcello who are both men.How is "Rent" different from La Boheme?Bringing back the century-long time difference, some of the characters obviously have a difference in career. Marcello is a painter in LA BOHEME but when updating it for 1990s audience, Larson changed Mark to a filmmaker which would arguably more relatable for the audience of the timeWhat song from "Rent" has become a hit on its own away from the musical?What is it about La Boheme that makes it so powerful and has inspired people to create other works based on the story?In the 19th century, opera creation went in two very different directions. Large scale major production operas kept becoming longer and more elaborate. In response to this, however, a new form of opera was becoming very popular. How are "operettas" different from traditional operas?Operettas are often satirical and witty, and tend to be much shorter and less complex than traditional operas.

I become an opera singer?Becoming an opera singer requires exceptional vocal talent, extensive training, and a deep passion for the art form. It typically involves obtaining a bachelor’s or master’s degree in voice or opera, studying with vocal coaches and attending vocal academies, participating in opera productions and workshops, and constantly seeking professional development opportunities.2. What are some famous opera singers who have made a significant impact?There have been numerous iconic opera singers throughout history who have left a lasting impact on the industry. Figures such as Luciano Pavarotti, Maria Callas, Enrico Caruso, Plácido Domingo, and Renée Fleming have not only showcased exceptional vocal abilities but have also become cultural icons, inspiring generations of opera singers.3. Is it necessary to know multiple languages to be an opera singer?While not all opera roles require proficiency in multiple languages, it is beneficial for opera singers to have a basic understanding of Italian, French, German, and English. Many opera houses perform works in their original language, and being able to pronounce words correctly and understand the meaning behind the lyrics greatly enhances the performance.4. Can opera singers perform in different musical genres?Yes, opera singers can explore and perform in various musical genres outside of opera. Many opera singers also cross over into contemporary music, musical theater, or even crossover collaborations with popular artists. Having a diverse repertoire and the ability to adapt to different musical styles can expand an opera singer’s opportunities.5. How do opera singers maintain their vocal health?Maintaining vocal health is

Serail (1782), and Die Zauberflöte (1791) were an important breakthrough in achieving international recognition for German opera. The tradition was developed further in the nineteenth century by Beethoven with his Fidelio, inspired by the climate of the French Revolution. Carl Maria von Weber established German Romantic opera in opposition to the dominance of Italian bel canto. His Der Freischütz (1821) shows his genius for creating a supernatural atmosphere. Other opera composers of the time include Marschner, Schubert, and Lortzing, but the most significant figure was undoubtedly Wagner.Wagner was one of the most revolutionary and controversial composers in musical history. Starting under the influence of Weber and Meyerbeer, he gradually evolved a new concept of opera as a Gesamtkunstwerk (a “complete work of art”), a fusion of music, poetry and painting. He greatly increased the role and power of the orchestra, creating scores with a complex web of leitmotifs, recurring themes often associated with the characters and concepts of the drama, of which prototypes can be heard in his earlier operas such as Der fliegende Holländer, Tannhäuser and Lohengrin; and he was prepared to violate accepted musical conventions, such as tonality, in his quest for greater expressivity. In his mature music dramas, Tristan und Isolde, Die Meistersinger von Nürnberg, Der Ring des Nibelungen and Parsifal, he abolished the distinction between aria and recitative in favor of a seamless flow of “endless melody.” Wagner also brought a new philosophical dimension to opera in his works, which were usually based on stories from Germanic or Arthurian legend. Finally, Wagner built his own opera house at Bayreuth with part of the patronage from Ludwig II of Bavaria, exclusively dedicated to performing his own works in the style he wanted.Brünnhilde throws herself onto Siegfried’s funeral pyre in Wagner’s GötterdämmerungOpera would never be the same after